TuneLab
RICOSHËI house set in The Lab NYC
RICOSHĒI's house set in The Lab NYC is the audio equivalent of a perfectly engineered stealth bomber: sleek, powerful, and operating almost entirely in a frequency range that bypasses your brain to target your spine directly. The setting is all concrete and LED strips, a clinical environment where the only decoration is the sound itself. This is deep, minimal-leaning house, with a tight BPM range averaging 124.5 and a harmonic focus so intense it's almost monolithic, with 15 of the 31 tracks sitting in the key of 12A. The energy profile is extreme, with a staggering 78% in the low end and only 19% in the mids, creating a sub-aquatic, physical pressure that's all about the hypnotic groove.
The mixing is surgical and relentless, using long, dubby blends to maintain an unbroken, subterranean pulse that feels both immersive and slightly claustrophobic in the best way. Standout tracks are exercises in reductionist brilliance: Levon Vincent's 'UK Spring Vibes' is a raw, looping opener that defines the vibe. Myles Serge's 'Lunokhod 1' is a spaced-out, percussive tool. The marathon 15-minute run of Subb-an's 'Self Control' is a masterclass in sustained, vocal-tinged tension, and Distant Sun's 'Machine lernt' provides a suitably mechanistic, textured closer.
Dolby D & Matt Mus's 'Blood & Sand' offers a moment of gritty, analog warmth. The set begins with the raw loop of 'UK Spring Vibes', locks into the deep, vocal mantra of 'Self Control' for its epic peak, and finally powers down with the crisp, digital echoes of 'Machine lernt'.