TuneLab
LANCELOT goes deep in The Lab SYD
Lancelot 'going deep' in The Lab Sydney is not a euphemism; it's a promise, delivered with the kind of patient, atmospheric house that makes you forget you're watching a YouTube stream and not floating in a sensory deprivation tank. We are, as ever, suckers for a DJ who understands that 'deep' is a feeling, not just a BPM. The vibe is hazy and intimate, the sort of set that soundtracks the magical hour when a party transitions from polite chatting to whispered conversations in corners. Technically, this is a deep house journey par excellence, gliding at an average 123 BPM and heavily utilizing the warm, open sound of the 12A key, with forays into 3B for added depth and mystery. The energy is beautifully balanced between a propulsive low-end and rich, melodic mids (0.48 low, 0.42 mid), creating a sound that is both physically engaging and emotionally resonant.
Lancelot's mixing is smooth and considered, often letting tracks like The Mole's 10-minute 'Lockdown Party' unfold naturally, their intricate percussion patterns becoming the mix's narrative engine. The crate digging is flawless. Sante's 'Sunset Blvd' is a perfect, sunset-hued opener. M-dok's 'Sweet Amores' is a quintessential deep house cut with a heart-melting bassline, and Mood Hut's 'Better' is a lo-fi, cassette-warm gem. Juan Pablo Moran's 'Life On White' gets a driving, hypnotic Alejo Vasconez remix, and Ola Jagun's 'Odo Oya' introduces organic, ancestral rhythms into the electronic flow.
Jonatas C's 'Jack' is a minimal, percussive tool that locks the groove in place. The journey begins on the cinematic street of 'Sunset Blvd', rises to a percussive, hypnotic peak with 'Lockdown Party', and exits on the sheer, soulful ecstasy of Gladys Knight's 'It's a Better Than Good Time (Walter Gibbons Mix)'. A tracklist that doesn't just go deep—it takes you with it.