Jessica

Another Banoffee Pies takeover, and we're all here for the deep, unapologetic house excavation that feels like a secret handshake. Jessica steps up, and immediately we're in that Keep Hush bunker where the bass is a religion and every track ID is a communal obsession. The room is dim, smoke clinging to low ceilings, and the sound system hums with anticipation, promising a journey into the subterranean. Technically, this is a masterclass in deep house and tech house, with an average BPM of 130.6 and a harmonic backbone shifting between the warm, subby 12A and the introspective 3B.

The energy arc is all patience, starting with percussive grooves and gradually unleashing acid lines that twist the room into a frenzy; her mixing is seamless, letting tracks like Andy Compton's 10-minute opus breathe while maintaining a hypnotic low-end. The balance favors low and mid frequencies, with highs used sparingly to punctuate transitions, creating a dense, immersive soundscape. For crate diggers, the highlights are plentiful: she opens with Henry Effe's 'Experiment 001 (Larix Remix)', a moody builder, then drops Andy Compton's 'That Acid Track' as the squelching centerpiece. METRO L.A's 'Here for the Love (Metropolitan Acid Mix)' brings classic Chicago vibes, while Ron Carroll's 'Get with Him (Ron Carroll's Spirit Filled Mix)' is a soulful, piano-driven closer.

Don't sleep on Groove Chronicles' '1999' for a UK garage nostalgia hit, or Reptant's 'Ectoplastic' for a darker techno edge, and Criminal Minds' 'Baptised By Dub' adds a dubby atmosphere. The journey from Henry Effe's atmospheric opener, through the acid peak of Andy Compton, to Ron Carroll's uplifting finale is a testament to Jessica's curatorial skill, wrapping us in that signature Banoffee Pies warmth.