TuneLab
Jasper Tygner
Mixmag Lab London
We’ve all been there, hunched over a phone in a dimly lit room, trying to catch a glimpse of the track ID flashing on the CDJ. Jasper Tygner’s Mixmag Lab London set is a blessing for our collective Shazam addiction, a melodic house journey that rewards close listening. The Lab feels intimate tonight, with a haze hanging in the air and a crowd locked into the groove, moving as one entity under the soft glow of the booth lights. Tygner operates in a sweet spot around 131 BPM, weaving a tapestry that primarily dances between the melancholic 3B and the uplifting 12A keys, creating a subtle emotional arc. The energy profile is telling: a dominant mid-range at 0.57 keeps the body moving with percussive drive, while the restrained highs (0.046) ensure nothing ever feels abrasive or overblown. His mixing is fluid and considered, using harmonic matches to glide from one mood to the next without jarring transitions.
The low-end foundation at 0.38 provides a warm, consistent thrum that holds the entire journey together, a bedrock for the melodic flourishes above. It’s a masterclass in balance, where every element serves the narrative, building and receding with the patience of a veteran selector. The set is a treasure trove for the deep house connoisseur. Neoxid’s 'World' offers a sprawling, cinematic landscape early on, a track that feels vast and intimate simultaneously. Givor Paradis’s 'Highway' is the perfect driving closer, all motorik rhythms and open-road euphoria that encapsulates the set’s forward momentum. Laurence Guy’s 'Hey Baby' injects a dose of cheeky, sample-led funk that never fails to turn heads and get shoulders shrugging.
Leon Vynehall’s 'It’s Just (House Of Dupree)' is a timeless deep house cut from a modern master, feeling both nostalgic and immediately vital. And let’s not forget Wallace’s 'Breaking Up', a seven-minute excursion of layered percussion and emotional release that serves as the set’s undeniable centerpiece. It begins with the ominous, crawling synths of Necro Deathmort’s 'Vizor', setting a mysterious and intriguing tone. The peak arrives with the extended, cathartic build of 'Breaking Up' by Wallace, washing over the room with its nuanced textures. Finally, we’re sent home on the propulsive, hopeful chords of Givor Paradis’s 'Highway', a closing track that lingers long after the lights come up.