TuneLab
FRANÇOIS K in The Lab NYC
We’ve all been that person, feverishly googling a bassline from a François K set, because the man operates on a different plane of record-collector consciousness. This Lab NYC session isn’t a DJ set; it’s a forensic excavation of groove, where every selection feels both meticulously planned and spiritually ordained. The room is hushed, reverent—a masterclass in listening, not just dancing. Technically, this is deep house as high art, with an average BPM of 126.4 and a harmonic home base firmly in 12A.
The energy profile—0.52 on the mids, with restrained highs—creates a sustained, hypnotic pulse rather than peaks and drops. He builds a narrative through key-compatible layering, letting funky basslines and soulful vocals (that 0.38 low-end anchor) converse over four-on-the-floor foundations. The journey is a lesson in pacing, stretching from 97 to 162 BPM but always returning to that soulful center. For the diggers, the tracklist is a goldmine: 'Gwen McCrae - Funky Sensation' is the undeniable blueprint, 'Mark E - R&b Drunkie' is the edit that makes you question every other DJ’s effort, 'Dave Lee - Free Bass (Joey Negro Funk Equation Mix)' is a masterclass in bass-weight, and 'Cratebug & Junior Sanchez - Sinna Mann' shows how to update the formula without losing the funk.
Don’t sleep on 'The Reflex - Gtgiu' for its sly disco rework, or the extended, jazzy respite of 'Jill Scott - You Don’t Know'. He opens with the cheeky, sample-flipped宣言 of 'Janet Jackson - R&B Junkie', builds to the communal, hands-in-the-air peak of 'Marvin Gaye - Got To Give It Up (Pt. 1)', and leaves us floating in the minimalist, after-hours abstraction of 'Pepe Bradock - 4'. A complete arc from a legendary archivist.