TuneLab
Eric Volta in The Lab Mumbai
Eric Volta's set in The Lab Mumbai feels like stumbling into the best afterparty you were never invited to—dark, sweaty, and powered by a relentless, hypnotic groove. This is tech house and minimal techno with a psychedelic edge, designed for locked eyes and nodding heads. The Mumbai lab becomes a cavern of shadow and strobe, a perfect setting for Volta's sonic spelunking. On a technical level, he builds a formidable 125 BPM wall of sound, predominantly in the powerful, driving key of 12A, with brief excursions to 5A and 10A for melodic flavour.
The energy is concentrated and potent: a commanding low-end (0.62 avg) provides the unwavering pulse, while the mid-range (0.36 avg) is filled with eerie pads and twisted vocal snippets, and the high-end (a negligible 0.02 avg) is almost entirely suppressed, creating a dense, pressurized atmosphere. His mixing is tight and loop-focused, often allowing tracks to run long and mutate under effects. Volta's digging unearths some serious weapons. Richard Bartz's 'Shake Shake Sexolette' opens the proceedings with its quirky, tribal shuffle.
The double dose of The Golden Filter's 'Talk Talk Talk' – both the original and Cooper Saver's remix – shows a flair for dark, indie-tinged disco. Skream's 'You Know, Right?' is a welcome left-turn into bass-heavy, swung territory. For a true peak-time bomb, Pryda's 'Animal' is deployed with devastating efficiency. The journey is a descent into the rabbit hole: beginning with the playful bounce of 'Shake Shake Sexolette', losing all sense of time in the extended, hypnotic mantra of 'Talk Talk Talk', before being ejected back into reality by the cold, mechanical thump of Factory Floor's 'Fall Back'.