TuneLab
MY NU LENG & DREAD MC in The Lab LDN
MY NU LENG back-to-back with DREAD MC in The Lab LDN? We instinctively check our bass bins are secured, because this is going to be a ruthless lesson in UK bass pressure, tailored for those who consider a 133 BPM four-to-the-floor a mere suggestion for carnage. The vibe is raw and rowdy, with DREAD's MC commands cutting through sub-bass that feels physical, in a room designed for pure sonic assault. This is bass house and UK garage, locked at a relentless 133 BPM and centered on the energetic, major key of 12A, which gives the synth stabs and vocal hooks their infectious, peak-time punch.
The energy is overwhelmingly low-frequency focused, with earth-shaking basslines dominating, while the mid-range carries rave-inspired melodies and the highs add crisp garage shuffles. Their mixing is tight and energetic, using quick cuts and vocal drops to keep the momentum high, with DREAD's MCing seamlessly integrated rather than intrusive. The tracklist is a bass head's delight: opening with Godhuman Bob's absurdly titled deep house experiment sets a quirky tone, while closing with Chris Lorenzo's 'Work' brings it back to a club-ready banger.
Standouts include Bushbaby's 'Woman's Touch' for its garage swing, Distinkt's 'Potion' for its soulful vocal, and Shadow Child's 'The DBG' remix for its tech-house grit. Dropping Orbital's 'Belfast' is a progressive epic moment, and Alice Deejay's 'Better Off Alone' gets a bass-heavy rework. From the leftfield opening, through the peak-time frenzy of 'Take Your Places', to the closing workout, this full tracklist is a masterclass in UK bass dynamics.