Joe Kay
Boiler Room London: Soulection
Joe Kay’s Soulection session in London is the warm, soulful hug we sometimes need in a scene obsessed with cold machinery. It’s a masterclass in musicality over mere mixing, a future beats and R&B journey for heads who appreciate a good melody as much as a good drum pattern. The vibe is intimate, head-nodding bliss, a lounge atmosphere where every smooth transition feels like a shared secret. Technically, it’s a wide-ranging cruise from 107 to 171 BPM, averaging 132, with keys shifting between the soulful 12A and the deeper 3B.
The energy is low-end focused but melodic, with warm basslines and pads (0.62 avg low) supporting lush chords and vocals in the mids. Kay’s style is curator-first, letting tracks like the 7-minute 'GoldMax - Induna (Reloaded)' breathe and tell their story. The digs are impeccable. Opening with both the revisited and edit versions of Adam F’s 'Circles' is a statement of intent.
'Erfankhaki - Vali Kash !' brings Persian-inflected rhythms, while 'Juls - Nanny Riddim' taps into the African diaspora. Closing with the reggae harmony of 'Buju Banton & Wayne Wonder - Bonafide Love' is a perfect, heartfelt conclusion. The journey starts in the jazzy drum & bass of 'Circles Revisited', builds through global grooves, peaks with the extended dance of 'Induna', and lands in timeless, bonafide love.