TuneLab
DROOG and INXEC in The Lab LA
When DROOG and INXEC tag-team The Lab LA, you know you're in for a session of deep, unpretentious house music—the kind where the only VIP is the groove itself. We're all here because we secretly love it when a DJ plays a track so minimal it's basically just a kick drum and a feeling. The room is dark, the crowd is locked in, and the air is thick with the scent of analog warmth, a proper heads-down affair. Locked into a tight 123 BPM average and heavily favoring the foundational 12A key, this is a lesson in minimal-maximalism. With a staggering 75% of the energy in the low end, every kick drum and sub-bass ripple is a tectonic event, making the space feel physically smaller.
The mixing is surgical yet soulful, with long blends that allow tracks like Kerri Chandler's 'Turn Off the Lights (Satoshi Tomiie Remix)' to unfold naturally over minutes. Key modulations into 7A and 4A are rare but effective, providing just enough melodic lift to prevent the depth from becoming oppressive. This deep house tracklist is built on patience and power. The opener, Ohmme's 'Fashion,' sets a cool, confident tone with its stripped-back funk. Andy Compton's 'That Acid Track' is a raw, squelching homage to Chicago, while Matt Sassari's 'Give It to Me' delivers a peak-time percussive punch.
The inclusion of CamelPhat & Elderbrook's 'Cola' is a clever, crowd-pleasing nod to crossover, and A.Paul's 'Quadrant (Pascal FEOS Remix)' is a deep, driving weapon for the dedicated. The closing choice of Gesaffelstein's 'Control Movement' is a stroke of genius, all cold, industrial menace. It starts with the sleek minimalism of 'Fashion,' builds through the acid-inflected heat of 'That Acid Track,' and concludes with the stark, powerful machinery of 'Control Movement.' A definitive deep house journey from two masters of the craft.