SUPER FLU deep melodic house set in The Lab
at #Smirnoffhouse
There is nothing quite like a corporate-sponsored house party to bring out the absolute worst festival fashion. The #Smirnoffhouse is packed with lads in matching co-ords and girls with glitter glued to their faces, all holding up phone torches during the breakdowns like it’s a Coldplay gig. A proper mad gathering of the Instagram elite. Sticky floors, heavy basslines, and the distinct feeling that you're at the best house party of the summer.
Locked at a hypnotic 122.4 BPM, this SUPER FLU live set is a masterclass in deep, rolling Rominimal. The set is heavily anchored in 12A, making the transitions feel like one continuous, buttery journey. The heavy low-end average means the sub-woofers are doing absolute overtime here. The SUPER FLU #Smirnoffhouse tracklist is a crate digger's dream.
Dropping the Damian Lazarus Re-Shape of Teddy Pendergrass's "I Don't Love You Anymore" alongside Andy Compton's "That Acid Track" is a massive flex. The groove is established instantly with the opening track, Reepah's "Tomorrow Is My Turn". The Sonny Fodera remix of "Promises" gets the absolute posers singing along, before they wrap up the sweaty session with the weird and wonderful closing track, Shosho's "Fishing People".